Two shorts about the making of Hideaki Anno's movie "Love & Pop", one from the perspective of a bumbling assistant, and one from the perspective of a AV director filming a documentary about Anno but narrated by a worker from a bread factory

A circus comes to town featuring Gracie the Fighting Kangaroo and her youngster, Hippety Hopper.

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Reactionary and aggressive circles in the United States are trying to establish a dictatorship in the country, preparing to assassinate the president and introduce a state of emergency in the country. The conspiracy is led by the FBI director...

Eat the Document is a rarely exhibited documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back [sic] chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. According to Howard Sounes's biography, "Down the Highway: The Life of Bob Dylan", after his motorbike accident in July 1966, Dylan viewed a cut of the material edited by Pennebaker and Bob Neuwirth and thought it was too similar to Dont Look Back. Dylan decided to re-edit the film himself, assisted by longtime associate Howard Alk. Dylan however. Pennebaker stated: "It's not something you learn parking cars in a garage. You gotta know some of the rules and he didn't know any of the rules." It can be assumed Dylan knew some of the rules (he had, after all, seen films) and that some of the unconventional editing choices were deliberate. Dylan and Alk's cut was eventually shown to ABC television, who promptly rejected it as incomprehensible to a mainstream audience.[1] The film includes some powerful live performances of Dylan's songs of the period. It was never given a theatrical release or made commercially available on video, but unauthorized bootleg copies circulate among Dylan collectors. Also circulating in various bootleg formats is a long outtake featuring a possibly alcohol- or drug-impaired Dylan in a limousine with John Lennon. As Dylan shows signs of fatigue, Lennon urges him to get a grip on himself: "Do you suffer from sore eyes, groovy forehead, or curly hair? Take Zimdon!...Come come, boy, it's only a film. Pull yourself together."[2] Todd Haynes's film I'm Not There features a dramatisation of this conversation, with Cate Blanchett as Bob Dylan. Highlights of the film include an interview with the Manchester Free Trade Hall concert-goer who shouted "Judas!" during the second, electric half of the set; the performances with the Hawks; the scenes of Dylan and Robertson in hotel rooms throughout England playing otherwise-unreleased songs; and a piano duet with Johnny Cash. Some of the concert footage shot for Eat the Document - including the "Judas" incident in Manchester's Free Trade Hall - was used in Martin Scorsese's Dylan documentary, No Direction Home.

Kashikura Rin is an official charity supporter on a local TV station's charity program. She is depicted as being worried about how to deal with people and how to live as she approaches the turning point of her life at the age of 20. (c) nathalie.mu

Two with-it young physicists are being chased by a sinister exec and her pair of goons, as well as a matched set of small-eyed G-men in black, all in pursuit of a math-nerd who's made off with a mysterious high-tech secret and vanished with his new girlfriend from space. The word "caper," you'll agree, was invented for just this situation.

Pop follows a young boy, Jack, as he explores his own identity by befriending the recently released ex-convict, Pop. The pair bond, but Pop's past and his inability to control his emotions threaten to put Jack in danger.

A strange man encounters a small, peaceful paper planet. Unimpressed by his discovery, he begins to amuse himself by making a sound that has grave consequences to the paper planet and its inhabitants.

Woman interviews her friends, talking about sex.